WCAG 2.1: Making Films Accessible to Everyone

When we talk about WCAG 2.1, the Web Content Accessibility Guidelines version 2.1, a global standard for making digital content usable by people with disabilities. Also known as Web Accessibility Initiative guidelines, it’s not just about adding subtitles—it’s about redesigning how films, websites, and events are experienced by everyone, including those who are blind, deaf, neurodivergent, or have limited mobility. At Scruffy City Film Fest, this isn’t a checkbox. It’s how we show up for our community.

Accessible cinema means more than captions. It’s audio descriptions for visually impaired viewers, sign language interpretation during live Q&As, keyboard-navigable screening schedules, and color contrast that doesn’t strain eyes. Inclusive cinema, a movement that prioritizes access as a core part of storytelling, not an afterthought is what separates good festivals from great ones. And it’s not just about compliance—it’s about connection. A deaf viewer shouldn’t miss the emotional beat of a silent scene because there’s no visual cue. Someone with low vision shouldn’t struggle to find the ‘play’ button on your website. Accessible media, content designed to be perceived, understood, navigated, and interacted with by all doesn’t limit creativity—it expands it.

You’ll find posts here that dig into how filmmakers are using WCAG 2.1 to reach wider audiences, how festivals are training staff in accessibility best practices, and why even small tweaks—like using clear fonts or avoiding flashing effects—can make a huge difference. We’re not talking about expensive tech upgrades. We’re talking about thoughtful choices. The same care that goes into lighting a scene should go into making sure your website works for someone using a screen reader. This collection isn’t about theory. It’s about real changes happening right now—in Knoxville and beyond.